There’s also the wide swath Stigwood and RSO’s productions cut through the 1970’s cultural scene.
![bee g docs superstar bee g docs superstar](http://1yquarterhorses.com/images/broodmares/2015/blazin-hot-superstar_l_side.jpg)
Saturday Night fills in the Robert Stigwood Organization’s side of the band’s career trajectory and disco ascendency. What Movies Will It Remind You Of? The Bee Gees: How Can You Mend a Broken Heart debuted on HBO in December 2020, and Mr.
![bee g docs superstar bee g docs superstar](https://pm1.narvii.com/6727/15a2cd61c4807df4f4ad061875b6c0d99c9ce1a0v2_hq.jpg)
(Stigwood died in 2016 at age 81.) Instead, the doc is an oral history patois of various voiceovers – people who knew him, people who worked with him, and people who found their own success on projects he produced – as footage and photographs from the era combine on screen with graphics and typography. Saturday Night, and Stigwood himself is heard and seen only in archival footage. There are no talking head interviews in Mr. Again and again, former executives with the company remark that Stigwood was a master of synergy, of knowing which gambles to take he was also, like fellow music biz impresario Clive Davis, adept at putting the right creative people together in a room and monetizing that union. He also had a star vehicle in John Travolta, and RSO followed the massive success of Saturday Night Fever with the equally huge Travolta-starring hit Grease. Saturday Night details how Stigwood stoked interest in Saturday Night Fever the film by releasing its soundtrack first, and as Bee Gees singles like “Stayin’ Alive,” “Night Fever,” and “You Should Be Dancing” became boffo hits, moviegoers responded. And he had just the band to craft its soundtrack. To Stigwood, it already felt like a movie. And that was the strategy Stigwood envisioned when he first read a New York Magazine article about the bustling disco scene out in the Brooklyn neighborhood of Bay Shore. The Robert Stigwood Organization also had a definite hit with the concert tour, Broadway show, and film that encompassed Jesus Christ Superstar, and it became RSO’s modus operandi to operate across platforms, retaining not only artists but the wider publishing rights attached to a given media product. Saturday Night in 1975, when Stigwood was setting up his own shingle in New York City after leaving a fractured business relationship with the Beatles back in the UK and forging ahead with Eric Clapton’s solo comeback, 1974’s 461 Ocean Boulevard, and encouraging the floundering Bee Gees to focus on R&B. The Gist: Music business impresario Robert Stigwood parlayed his early success managing acts like Cream and the Bee Gees into a wider media empire, shepherding the cross-platform phenomenon that became Jesus Christ Superstar and channeling the 1970’s cultural moment of disco into the hugely successful soundtrack and film Saturday Night Fever. Saturday Night director John Maggio also helmed the HBO docs The Perfect Weapon and The Newspaperman.
![bee g docs superstar bee g docs superstar](https://i0.wp.com/www.nicekicks.com/files/2015/09/adidas-undefeated-bape-superstar-11.jpg)
Saturday Night, the latest documentary in HBO’s Bill Simmons-produced Music Box anthology series, looks at music and media impresario Robert Stigwood, who put the Bee Gees in a room with disco, added John Travolta, made Saturday Night Fever, and raked in piles of dough with his savvy for vertically integrated revenue streams.